Second Story Skeleton
The halls of this old hospital still reek
of keeping alive. In curtain-cordoned rooms
children used to cry, and mothers slept
in plastic shells of chairs.
Outside, blooms of frangipani scattered
into the air of the hung laundry, green gowns
stamped faintly with the hospital name.
How can it look so much the same
after all these decades? There’s the cracked
tennis court where Dad and other doctors sprinted
back and forth. And next to it, under ages
of pine needles, that grave in which I buried
the remains of a tokay gecko, pealing
its polka-dotted skin. I used to be scared
of skeletons, of a teaching model strung
in a dusty upstairs room.
I spotted it once, sneaking around the second story.
When I told this to Nana, she couldn’t stop
a giggle before her whisper:
I have one too.
It’s time to go. Past the O.R. annex I feel a pull—
but it’s nothing. The bombs lined in these webs
are only leftover oxygen tanks. Then clip-clack,
a track,
something I find I follow
slacking up the steps.
Kimberly Gibson-Tran holds two degrees in linguistics. Her writing appears or is forthcoming in Baltimore Review, Passages North, Reed Magazine, The Bombay Literary Magazine, Jelly Squid, Rust & Moth, and elsewhere. Raised by medical missionaries in Thailand, she now lives in Princeton, Texas.